Justice for Joseph - A benefit show for acclaimed author Joseph Mattson

The Echo Presents

Justice for Joseph - A benefit show for acclaimed author Joseph Mattson

Jail Weddings, The Starvations, Detective, L.A. Drugz

Tue, December 4, 2012

8:00 pm

The Echo

Los Angeles, California

$12.00 - $15.00

This event is 18 and over

Justice for Joseph - a benefit show for acclaimed author Joseph Mattson for emergency legal funds more info: https://www.wepay.com/donations/help-support-joseph-mattson THE STARVATIONS (reunion) DETECTIVE (James Greer of Guided By Voices, Author of The Failure) L.A. DRUGS (Justin Maurer of Clorox Girls, author of 17 Television/Don't Take Your Life) plus more!

Justice for Joseph - A benefit show for acclaimed author Joseph Mattson
Justice for Joseph - A benefit show for acclaimed author Joseph Mattson
Author and key LA literary figure Joseph Mattson and his family--(his fiancee and 8-week-old infant son)--are in serious jeopardy and need emergency aid. Mattson is the author of the acclaimed novel Empty the Sun, the story collection Eat Hell, and is editor of The Speed Chronicles, as well as a regular contributor to Slake and The Rattling Wall and much more. Last year, Joseph's mother was the victim of homicide, killed by her husband in a brutal act of domestic assault so severe that perfect outlines of the killer's fists were imprinted in bruise all over her body; she died of brain death resulting from a brain bleed, the fatal wound caused by traumatic head impact. The man is currently in prison, serving out a sentence of 2-9 years for manslaughter and will likely be released in December, 2013, after only the mandatory 2 years--due to the poor economy. In the wake of his mother's death, Mattson was named personal representative of her affairs, including her estate, which is comprised predominantly of property and investments inherited by Joseph's mother from her parents/Joseph's grandparents. Earlier this year, her killer/husband filed litigation to try to take possession of his victim's estate. While "slayer rules" exist to prohibit such unconscionable acts by revoking a killer's rights of inheritance so that he cannot benefit from the person he killed, it has been recently discovered that Mattson's probate lawyers failed across the board not only to apply these "slayer rules" but also failed to protect Mattson's rights as a registered crime victim, rights to object to and appeal the killer's petitions, and allowing the killer carte blanch access to Mattson's personal information--directly compromising and endangering Mattson's, his fiancee's, and their newborn son's safety and security--including violating Mattson's freedom to write--and so much more, resulting in total immediate financial loss for Mattson due to over $50,000 in legal fees and protections, with another mountain of debt coming in order to secure new representation and to launch counter litigation to protect him and his family from the felon that took his mother's life. Mattson is in dire need of money for legal aid, family welfare and infant healthcare, household security, and basic living expenses while unable to work in order to attend to this dire crisis situation. We need to raise an immediate $25,000 for urgent legal aid and security, and another $25,000 in the long-run (in the next few months) to cover everything else mentioned above. Full details are available by inquiry.
TESTIMONIALS

“Joseph Mattson writes like a guitar player with nineteen fingers—everywhere at once, stinging, dark, and beautiful.” —JERRY STAHL, author of PERMANENT MIDNIGHT and PAIN KILLERS

“Joseph is a keystone species in our fragile literary ecosystem. His presence in LA letters helps us all thrive.” —Joe Donnelly, publisher and co-editor, Slake:Los Angeles
“Joseph Mattson is an echo from my childhood. When he snarls his mouth and spits out poems from somewhere deep behind his ribcage, he reminds me of so many boys I once knew. Only, he loves his lady and has a kid and writes poems, so he’s like a guy I once knew and loved and stole beer from 7-11 with, and got angry at the world with, and did graffiti with… but he’s better because he grew up good. He grew up with a way to articulate his anger. That’s exactly his contribution to the literary world. Gets the blood pumping.” —Melissa Chadburn, writer.


“Joe Mattson is a writer. Writing for the most part is a lonely business. For Mattson, writers aren’t his competition, they are his family. Doesn’t matter what level his fellow writer has made it to. Mattson is there with conversation, advice, charm, mischief. Whatever fits the bill.”
—Hank Cherry,filmmaker, photographer, and writer who lives in Los Angeles.



“A rarity he is…To have one of your best friends be your hero in the same stroke, when the second he crashed through my jaded walls, my quality of life immediately skyrocketed. Beyond a kindred spirit…my sense of adventure, creative spirit and bullshit detector was all of a sudden re-baptized in a fire native to Joseph that is contagious just in knowing the man. Reassuring enough to know there is someone here my own age that is a true iconoclast, living, breathing and oozing writing from every cold sweat pore and all the wild inherent humility with his present predicament make his fire glow all the brighter. Never before have I witnessed something so corrupt and unfortunate to somebody more unabashedly righteous in every way you can be, but I am confident justice has the tendency to be a tad tardy…” — Gabriel Hart, frontman of Jail Weddings, guitarist of Dante Vs. Zombies, author of The Intrusion.


“Joseph Mattson’s writing intoxicates with its astonishing sound, its ripe poetry, such beauty compressed into every line. With it he seduces you into a world as strange and rich and full of dangerous wonders as a Dali painting. He’s an essential talent and a generous presence on the LA literary scene.” —Janet Fitch, author of White Oleander, Paint it Black
Jail Weddings
Jail Weddings
If they aren't L.A.'s biggest band, Jail Weddings definitely have L.A.'s biggest sound—an nine-person-deep rock 'n' soul revue that feels like the Pogues as produced by Phil Spector, a soundtrack to a Hollywood-gone-Babylon left unloved and unexplored since the last notes of X' Los Angeles LP. Their 2010 full-length Love Is Lawless was gigantic, the kind of thing that should be a film (directed by Billy Wilder) but becomes an album instead. L.A. Weeklycorrectly called it "a big, fine mess of weepy, quavering, hiccupy hurtin' hurt, plowed through with a way-tough punk rock theatricality and welcome good humor," and a lovestruck reporter for Seattle's Stranger reported that 
"Jail Weddings songs sound the way the band looks: huge, soulful, and swaggering, taut and unpredictable as a cat."
            Now Jail Weddings return with a leaner line-up and a new EP called Four Future Standards, releasing on the formidable new Neurotic Yell label. Recorded through the fall and winter of 2011-2012 by Mark Rains (Black Rebel Motorcycle Club, Waylon Jennings), Four Future Standards reinforces frontman-architect-drill sergeant-and-mad-genius (oh, and singer) Gabriel Hart and his returning core members Jada Wagensomer (vocals), Hannah Blumenfeld (violin) and Josh Puklavetz (bass) with drums by Mike Shelbourn, keys by L.A. stalwart Marty Sataman and guitar by Chris Rager. And Standards also sees the welcome debut of a full Stax-style backline with sequin-clad singers Mary Animaux (White Murder) and Kristina Benson (Red Onions, Flash Express.)            

            "I wanted to start a band that blurred the lines of fantasy and reality, that collectively lived the lyrics, a band that would end up being a lifestyle all its own and turn the lives of the members into a goddamn musical, even if we were the only ones that knew it," says Hart. And this time, the songs (in a way) are all love songs, he explains—the raging Scott Walker-meets-Ziggy Stardust cabaret rocker "Overnight," or the collision of Gun Club guitar and Shangri-Las melodrama that lets "Good Book" make death into the break-up to end all bitter break-ups, or the punked-up Del Shannon-style story of regret and revelation in "Red Light Rhythm." Or especially "(There's Nothing Worse In The World Than A) Crying Girl," an unflinching last-call operetta that could have been written by Warren Zevon, produced by Nick Cave and recorded by Roy Orbison … but only after a bleary night playing Iggy Pop's "Turn Blue" until the needle gave out in a wisp of smoke. In these four songs are love as sickness, love as delusion, love as warning, love as righted wrong or wronged right—even love as total helplessness before impending doom, as seen through the lens of an upturned bottle. 

There's an arc to this whole story you may recognize—first Love Is Lawless' glorious full-bore exhilaration and now Four Future Standards' collision between hope and hopelessness, and next of course comes the comedown, with a schedule album tentatively titled Meltdown that Hart says is the most doomed-feeling album his band has ever made. ("Anyone that thought we were a party band will be greatly mistaken after hearing it," he warns.) But that's not something to worry about now—Four Future Standards is a set of songs for the time between midnight and six, when it feels like you could close the door and make the night last forever.
The Starvations
The Starvations
Conceived from a crippled, alcoholic den mother they refer to as "Queen Bee" (immortalized in their song "Queen Bee's Lament"), THE STARVATIONS have staggered through a blurry 10+ year history with their unique brand of moody, abrasive, atmospheric, and always unpredictable roots-punk, something not even remotely seen of this honest a caliber since the days of classic Slash/Ruby Records bands of the early 80's. And while lazy rock journalists will continue to compare the band to the untouchable rep of THE GUN CLUB (a flattering compliment any way you slice it), THE STARVATIONS actually have more in common with their own ill-serving memories, tainted livers, panic attacks, and that special dimly-lit time of dusk where you involuntarily start hallucinating... influencing a sound that's unnerving yet somehow instantly sentimental.THE STARVIES' (as their close friends refer to them) live experience has been described as "stunning with attractive eccentricity", "fast, slow and weird", and "a rock medicine show by gypsies from Mars (?)". From the first chord of "This Is What You Wanted?" to the last disintegrating note of "One Long Night", a certain schadenfreude drives all eyes towards the stage and all ears to the speakers. So what is it about this band that holds our attention for the eternity of a half-hour? Simply that THE STARVATIONS haunted Americana taps the pulsing, diseased vein of Los Angeles herself, a city whose comforts are poisons and whose luxuries are ever-fleeting. They take the resulting despair, escapism, and alienation and dilligently distill it all into a true rock n' roll version/vision of a coyote howling at the moon.
Detective
Detective
DETECTIVE is the new-ish, dream-jangle project of James Greer from Guided By Voices and Guylaine Vivarat of Useless Keys and Tennis System, inspired by the Jean-Luc Godard film of the same name. The band alternates the bubbling melodies of Stereolab, the sparse VU dreamscapes of Galaxie 500 and the hum-along choruses of "Alien Lanes" era GBV! Don't miss this, their PTP debut!
L.A. Drugz
L.A. Drugz
Members of Clorox Girls, Images, Bad Machine
Venue Information:
The Echo
1822 W Sunset Blvd
Los Angeles, California, 90026